14/06/2009

Mid-term exam

Dictation:
Watch the fable (The Tortoise and the Hare) and transcribe.


Some help: Difference between AmE and RP
http://rs563.rapidshare.com/files/245021183/accents.pdf.zip

If you have problems with the video in your pc, go to this site
ht
tp://www.codecguide.com/download_k-lite_codec_pack_mega.htm
- When you are in the site, click on
Direct Download 1
- Save the file in your computer
- Install it in your pc and that's it!!

Topics to consider:

1. the moral of the story
2. what Crystal and Butch learn with this experience
3. what Crystal and Butch's parents learn with this experience
4. the role of the Media and technology
5. social classes
6. communication among the characters
7. the importance of the snowball scene. The symbolism of the snowball.
8. personality
9. Multiple Intelligences and learning
10.relationships
11.work and leisure
12. why you would/wouldn't work with this fable with your students.


Intonation
: Mock test

INTONATION IN CONTEXT: Unit 4, dialogue 4 (pages 26 and 27)

*Identify three highlighted words and thirteen tones (between the brackets) with their correspondent tonic syllables.
*The three highlighted words do NOT belong to the utterances in which you have to identify the tones.
*Explain why each tone has been chosen.

Cathy: Hello, Bob.

Bob: Hi. You’re looking well.
Cathy: Thanks. And so are you. (1….) You got back safely then?
Bob: Yes. (2…....) We arrived this morning.
Cathy: (3….) This morning? (4….)I thought you were due back a couple of days ago?
Bob: Mmm, that had been the plan.
Cathy: Well, (5…) what happened?
Bob: (6…..) You’ve heard about the rail strike?
Cathy: Oh, yes, of course. (7…) But I had forgotten you were travelling by train. (8......) How did you manage?
Bob: Well, you see, (9….) we came by coach. It took a lot longer but we got back OK.
Cathy: So I see. (10…)You don’t sound as though you minded.
Bob: No. (11....)We didn’t mind at all. (12.....) It took a lot longer, but it was very comfortable – and it was much cheaper. In fact, (13......) we’ve decided to go by coach next time!

Audio: http://www.goear.com/listen/3d85f90/Intonation-in-Context-4.4-Barbara-Bradford

16/07/2009
Intonation practice:

Links to audio:

Exercise 1:Online: http://www.goear.com/listen/4799165/Exercise-1-practice-1- Download: http://ifile.it/uoymaht

Exercise 3: Online: http://www.goear.com/listen/653efa3/Exercise-3-practice-1- Download: http://ifile.it/j5rlyfu


Relationships

Reading and speaking:

  • Is there a similar trend in your country?
  • Do you live or have you ever lived away from your family?
  • Would you like to? Under what circumstances?
  • What are the advantages/disadvantages of living alone or with friends, rather than with family?
Vocabulary and speaking:
Read these descriptions of people you might live with. Say if they are
-easy to live with

-difficult to live with
-mixed/depends



  • Which characteristics on the list would you personally find most difficult?
  • Is there any behaviour not mentioned that also drives you mad?
  • Does anyone you live or have lived with have any of these faults?
  • Are you guilty of any of these habits?
Vocabulary:
Personality
1) big-headed: adjective DISAPPROVING
thinking that you are more important or more clever than you really are:
She's so big-headed!
2) big-hearted: adjective
kind and generous

3) lazybones: pl.n. Informal. (used with a sing. verb)
A lazy person.

4) a tidy mind: clearly organized and systematic: a tidy mind
Idiom: 'Tidy desk, tidy mind'
A cluttered or disorganised environment will affe
ct your clarity of thought. Organised surroundings and affairs will allow for clearer thought organisation.
5) idle: adjective
lazy and not willing to work:
He's a very able student, he's just bone idle (= very lazy).

6) infantile: adjective DISAPPROVING
typical of a child and therefore unsuitable for an adult:
infantile behaviour
childish: adjective
1 typical of a child:
childish handwriting

2 DISAPPROVING If an adult is childish, they behave badly in a way that would be expected of a child:
He wasn't enjoying the occasion so he thought he'd spoil it for everyone else - it was very childish of him.
7) immature: adjective
DISAPPROVING not behaving in a way which is as calm and wise as people expect from someone of your age:
Stop being so silly and immature, Ben!
She's rather immature for her age, don't you think?

8) strict: adjective
word to describe people, organizations etc. that demand that their laws or rules are always obeyed and punish anyone who does not obey.

My father was very strict, he never let us go out on our own.

9) frivolous: adjective
1 behaving in a silly and foolish way when you should be serious:
I think he sees her as a frivolous young woman.

10) anorak: noun [C] UK DISAPPROVING
a boring person who is too interested in the unimportant details of a hobby and finds it difficult to meet and spend time with other people:
There are enough facts and figures in this book to keep even the most obsessive anorak fascinated for hours.

12) bunny boiler: An obsessive and dangerous female, in pursuit of a lover who has spurned her (reject).
Origin: from the 1987 film Fatal Attraction. The plot concerns a woman scorned (Glenn Close) who obsessively pursues her ex-lover (Michael Douglas). The phrase comes from the plot device where Close boils Douglas's daughter's pet rabbit.

The bunny boiler phrase, taking the lead from the film, was first used to refer to someone who is unable to remain rational at the end of a romantic relationship. Very quickly that became moderated and used, with some degree of irony, in much less extreme situations. Any needy, mildly possessive or even just annoying woman is now liable to be described as a 'bunny boiler'.
13) busy body:
14) couch potato: noun [C] INFORMAL DISAPPROVING
a person who watches a lot of television and does not have an active style of life
15) crank: (STRANGE PERSON) noun [C] INFORMAL
a person who has strange or unusual ideas and beliefs

16) clock watcher: noun [C] DISAPPROVING
a person who continually looks at the watch to see what time it is in order to see how much longer he has to work

17) a pain (in the neck): INFORMAL
someone or something that is very annoying:
That child is a real pain in the neck.
a pain in the arse/backside: UK AND AUSTRALIAN ENGLISH (US pain in the ass/butt) OFFENSIVE
someone or something that is very annoying:
The kids were a real pain in the arse.
18) BLUE STOCKING:
noun
1. a woman with considerable scholarly, literacy, or intellectual ability or interest.
2. a member of a mid-18th-century London literary circle.
Origin: 1675-85, so called form the informal attire, esp. blue woolen instead of black silk stockings, worn by some women of the group.

Phrasal verbs and phrases
1) chat sb up: phrasal verb [T] UK INFORMAL
to talk to someone in a way that shows them that you are sexually attracted to them:
He spent all evening chatting her up and buying her drinks.

2) creep around: [T] BrE informal
to be falsely nice to someone in authority, in order to gain advantage yourself
I hate the way Carl is always creeping round the boss.

3) fit in: [I] to be accepted by other people in a group because you have the same attitude and interests. At first I felt really awkward but eventually I learned to fit in.
4) join in: [I,T] to take part in an activity as one of a group of people. I'm really worried about my little girl. She's very shy and won't join in any activities.
5) push around: [T] to give someone orders in a rude or threatening way. George seems to think that he can just push people around without them getting upset.
6) put up with: [T] to accept an unpleasant person or situation without complaining. I'm not prepared to put up with that kind of rudeness.
7) run round after: [T] to spend a lot of time doing small jobs for someone. I've spent all morning running round after the children. I'm completely exhausted!
8) show off: [T] to try to impress people and make them admire your abilities, achievements or possessions. Please don't pay any attention to Susan. She always shows off in front of people she doesn't know.
9) stick with: [T] informal
to stay with someone even if there are difficulties. Listen to this! I've got a fantastic plan! If you stick with me, we'll make a fortune together.

stick with sth/sb phrasal verb INFORMAL
to continue doing something or using someone to do work for you, and not stopping or changing to something or someone else:
He said that he was going to stick with the traditions established by his grandfather.
He's a good car mechanic - I think we should stick with him.

10) (people from) all walks of life: people from all different classes and positions in life. The club attracts people from all walks of life.
11) inverted snobbery: BrE
The idea that everything that is typical of the upper classes must be bad.
he changed his accent- an example of inverted snobbery.

12) storm out/off (of/up to another place): to go somewhere in a noisy, fast way to show you are angry.
Helen was so furious, she stormed out of the room.


dictionary.cambridge.org
usingenglish.com
dictionary.com
Longman Language Activator
www.phrases.org.uk
Cutting Edge Advanced-Phrase Builder

LISTENING COMPREHENSION, VOCABULARY, GRAMMAR AND SPEAKING:
Listen to seven people describing a person they find or found difficult to live with. Who are they talking about? Which of these characteristics do they mention? Why do they find these people difficult to live with?




SPEAKING: Choose one of these people and talk about typical habits.
-s1 you live with now
-s1 you used to live with
-a colleague or acquaintance who irritates you
-a neighbour you don't/didn't like
-s1 who looked after you a lot when you were a child
-a teacher from primary or secondary school


Most activities were taken form Cutting Edge Advanced.

Hobbies

*Speaking: Ss speak about their hobbies

*Game:
Each student has a picture and gives clues so that the other Ss discover what the hobby is.
* Grammar
Practical English Usage by Michael Swan


LIKE
1) Like + ing = enjoy
I like walking in the rain.
The infinitive is also possible with this meaning, especially in American English.

2) Like + infinitive= choose to, be in the habit of, think it right to
I like to get up early so that I can get plenty of work done before lunch.

LOVE- HATE- PREFER
a) With these verbs there is not much difference between the two structures.
Some people hate working/to work in the morning.

b) When we are referring to a particular occasion, it is more common to use the infinitive.
I'd love to come tomorrow.
I hate to mention it, but you owe me some money.
Would you like to have lunch now, or would you prefer to wait?

PREFER
a) We usually use prefer + ing to talk about general preferences.
I like swimming but I prefer sailing.

The infinitive is used to talk about preferences on a particular ocassion.
Can I give you a lift? No, I prefer to walk.

b) We can say that we prefer one activity to another:
- I prefer sailing to swimming.
- I would prefer to spend the weekend at home rather than drive/driving all the way to your mother's.

13/06/2009

Work and Play

Quotations:

1.I'd rather be a happy dustman than an unhappy millionaire.

2.It doesn't matter what job you do. It's how you do it.

3.All work and no play makes Jack a dull boy.

4.Work harder on yourself than you do on your job.

5.When you are asked if you can do a job, tell them “Certainly I can! Then get busy and find out how you do it.

6.Oh, you hate your job? Why didn't you say so? T
here's a support group for that. It's called EVERYBODY, and they meet at the bar.

7.Choose a job you love and you will never have to w
ork a day in your life.

8.I think the person who takes a job in order to live- that is to say, for the money- has turnes himself into a slave.

9.Doing a job badly and then getting someone in to sort it out can be much more expensive than getting someone in to do the job properly in the first place.

10. The supreme accomplishment is to blur the line between work and play.

11.Whenever there is a hard task to be done, I assign it to a lazy man; he is sure to find an easy way of doing it.

12.One important key to success is self confidence. An important key to self confidence is preparation.

13.Love what you do. Do what you love.

Really Useful English Idioms: Penguin Quick Guides

Vocabulary- Transcription- Reading Aloud



*Reading, Speaking and Vocabulary: Working to Live or Living to Work?
http://rs610.rapidshare.com/files/244283036/WorkingtoLiveorLivingtoWork.pdf

* Vocabulary: Work and Play



* Test: What Kind of Worker are you?


* Role-play: Job Interview
http://rs768.rapidshare.com/files/244284550/JobInterview6869.pdf

*Magazine articles:
http://rs391.rapidshare.com/files/244286732/WorkMagazineArticles.zip




*Videos: The Simpsons

http://rapidshare.com/files/244455696/simpsons1.avi

http://rapidshare.com/files/244455699/simpsons2.avi

Dialogues to complete:
I MARRIED MARGE
VIDEO 1: 1)
-I don't know how we can afford these things on your SALARY.
- Hey, why don't I APPLY at the nuclear power plant? I hear they pay pretty well.
- I heard radiation can make you sterile.
- Now you tell me.
VIDEO 1: 2)
- We only have two OPENINGS so one of you will go home EMPTY-HANDED. Let's get on with the testing.
What would you say is your worst quality?
- I am a WORKAHOLIC.
- I push myself too hard.
- It takes me a long time to learn anything.
VIDEO 1: 3)
- There's a problem with the REACTOR. What do you do?
A problem with the REACTOR?!We're all going to die! Run!
VIDEO 1: 4)
- Did you get the job?
- Nah, they WANTED someone good.
VIDEO 1: 5)
- I QUIT! I QUIT!
- I thought you said you liked dogs.
VIDEO 1: 6)
- Homer, come home with me.
- No, Marge, I can't. I mean, look at me. I'm a TRAINEE. They won't even tell me what's in the secret sauce.
And I can't buy you a decent wedding ring.
VIDEO 1: 7)
- Listen, Mr. Big Shot... if you're looking for the kind of EMPLOYEE who takes abuse and never sticks up for himself... I'm your man! Treat me like dirt, I'll still kiss your butt and call it ice cream! If you don't like it, I can change!
- Hold the phone, Smithers. I like your attitude.
- This man failed the APTITUDE TEST and got trapped in a closet on his way out.
I don't care. I haven't been this impressed... since I first laid eyes on a young BOOTLICK named Waylon Smithers.
- You mean...?
- Welcome ABOARD, son.
- I got the job! I got the job! Whoo-hoo! Only in America could I get a job!
VIDEO 1: 8)
- If you wanna stay... you give me some respect.
- Homer, does this mean...?
- Tomorrow, I'm a nuclear TECHNICIAN!
Good God!
- Tomorrow morning, I'm gonna buy your ring back.
- Doesn't your job start tomorrow?
- Somebody will COVER for me.
MARGE GETS A JOB
Video 2: 1
- We're here for the retirement party. Power plant RETIREMENT party-- Tonight, we've all come to honor a close friend of ours.
- Boring!
- A man who provided the Burns Corporation with 45 years of FAITHFUL service...
- Mr. Jack Marley.
Boring!
Video 2: 2
- Please don't make me retire. My job is the only thing that KEEPS ME ALIVE. I never married, and my dog is dead.
- With the departure of Mr. Marley there will now be an ENTRY-LEVEL position open in Sector 7G.
- Maybe I should APPLY for that job.
Forget it, Marge. We already live together. We shouldn't work together. Look, Marge, We just don't need the money that bad.
Video 2: 3
- Well, Lisa, I finished my RESUMÉ.
- Uh, I think it needs a little padding.
- What are you putting in there?
- Up, up, up. When I'm done.
- Chauffeur. Seamstress. Curator of large mammals?
- Marge, have you seen my lunch box?
- Oh, I see.
- Mom, they expect you to lie a little.
Video 2: 4
- Mm-hmm. Uh-huh. Oh, I thought Muddy Waters wrote that song. This résumé is very impressive.
Let me be the first to say.....Welcome ABOARD.
Video 3: 5
- Sorry, the position has been FILLED.
- Oh, dear.


SPEAKING TOPICS
:
1) Technology and Leisure
2) Unemployment and Hobbies
3) Job, family and leisure
4) Overtime work: evenings and weekends
5) Money and hobbies
6) Leisure and environment
7) The entertainment business
8) Children and free time
9) Studying and working
10) Enjoying and learning
11) Charity and free time
12) Culture and leisure


Leisure and environment (Rocío)
The way we use our leisure time can also have an impact on the environment, although assessing all the environmental implications of leisure activities can be complicated. For example, many outdoor sports that may seem very environmentally friendly require considerable outfitting in sports clothing and equipment and use resources such as land for ski areas or golf courses. Other examples of environmental impacts associated with recreation include the chlorofluorocarbons (CFCs) often used in the refrigeration systems of indoor skating rinks, the chemicals used to purify the water in swimming pools, the emissions and spills from powered equipment such as snowmobiles, and the cars used to drive to the cottage or to an event. Even such low-impact activities as camping and hiking can harm the environment, especially in sensitive areas. While recreational pursuits are important components of health and quality of life, effective education can help to ensure that more people "tread softly on the land" when participating in their favourite activities.
Estimates of energy use, material use, emissions, and waste can be used to gauge whether particular activities are environmentally sustainable. Fuel-dependent activities (e.g., snowmobiling, motorcycling) are more harmful to the environment than human-powered activities (e.g., hiking, skiing). In certain fields, fuel-dependent activities tend to predominate. For instance, in the area of pleasure boating, there are more than five times as many motor boats and yachts as sailboats in Canada. Power boating, however, has a deleterious effect on the environment whenever it is done, causing noise, air, and water pollution. Controlling the use of such equipment is an effective way to minimize damage when environmental impact is a concern.
Human-powered activities, on the other hand, tend to have less impact than fuel-dependent activities, especially if individuals follow environment-friendly practices when pursuing them. If hikers stay on designated trails and do not litter, for example, they can enjoy the outdoors without causing much damage to it. Participation in spectator sports and sports clubs has also increased.
Many cultural and recreational activities — such as going to the local theatre, museum or concert; or walking, gardening, swimming, or bicycling — can be highly sustainable. Such activities are low in cost, easy to schedule, and close to home, and they require little supervision or training. For example, home gardening provides good exercise and is reasonably sustainable if done with little or no use of pesticides, power equipment, or over packaged products. Bicycling and walking are excellent exercises and can also reduce automobile use.
Canadians are also using their leisure time to actively help the environment. Across the country, communities — often in cooperation with environmental groups — have started programs that organize people to pick up litter along streams, plant trees, watch for vandalism in natural areas, lead naturalist walks, take part in "no car" days, and participate in many other pro-environment activities. Each year, individuals are honoured with environmental awards given by various levels of government, non-profit groups, and private organizations.

Games:
*Great Perks
http://rs644.rapidshare.com/files/244655618/Greatperks.pdf

*Leisure Centre
http://rs634.rapidshare.com/files/244654857/LeisureCentre.pdf

Intonation

* What is Intonation? Chapter 1 from English Intonation: An Introduction
http://rapidshare.com/files/209950055/English_Intonation.pdf


Questions:
1) What's the difference between segmental and suprasegmental Phonology?
2)Why should we study intonation?
3)Which characteristics of speech make up rhythm?
4)Are prosodic (suprasegmental) characteristics the same in all languages?
5)What is tone?
6)Does English use tone lexically?
7)Why is spoken English richer than written English?
8)Is intonation universal?
9) What are the three T?
10) Which are the functions of intonation?

* Intonation in Context:
http://rapidlibrary.com/download_file_i.php?qq=intonation%20in%20context&file=3127130&desc=Intonation+in+Context+.rar

Intonation is a feature of the spoken language . It consists of the continuous changing of the pitch of a speaker’s voice to express meanings. You will have realized that people can mean different things by using the same group of words, arranged in the same order, but saying them in different ways. (…) A speaker is able to make the group of words mean what he/she wants it to mean by choosing the right intonation.
Context means the situation in which things are said.
Features of the situation include the place and time, but also the roles the speakers are playing, their relationship, the knowledge and experience they already share and what has already been said. Speakers are influenced by all of these things when they choose the intonation of what they say.”
(Barbara Bradford)


* Game: Intonation Directions
from Pronunciation Games





* Dictation, Intonation and Pronunciation: Sounds English Unit 31

A: // Excuse me // I’m looking for Miss O’ Dare// Do you know where she is//
B: // She’s gone to Trafalgar Square//
A: // Do you know where exactly//
B: // To the Headquarters of the Dairy Council//

A: // Why has she gone there//
B: // She has got a diary// It’s called Mary’s Diary//
A: // I thought she was a hairdresser//
B: // Oh you mean Clare O’Dare // She’s upstairs // It’s her sister Mary //
who’s gone to Trafalgar Square //

* Game: Don't Tell Me!
from Pronunciation Games

* Intonation and dictation:
from Sounds English unit 20

1) Have you seen my sports shirts?
// Your sports shirts// They're being washed//

2) Have you moved my Maths books?
// Your Maths books// They're on the bookshelves//

3) Have you taken my reading lamp?
// Your reading lamp// No// It's on the desk//

4) Can I borrow some postcards?
// Postcards// All right// They're in the drawer// with the envelopes//

5) Will you iron my tennis shorts?
// Your tennis shorts// No// You can iron them yourself//


Intonation: Mock test

INTONATION IN CONTEXT: Unit 4, dialogue 4 (pages 26 and 27)

*Identify three highlighted words and thirteen tones (between the brackets) with their correspondent tonic syllables.
*The three highlighted words do NOT belong to the utterances in which you have to identify the tones.
*Explain why each tone has been chosen.

Cathy: Hello, Bob.

Bob: Hi. You’re looking well.
Cathy: Thanks. And so are you. (1….) You got back safely then?
Bob: Yes. (2…....) We arrived this morning.
Cathy: (3….) This morning? (4….)I thought you were due back a couple of days ago?
Bob: Mmm, that had been the plan.
Cathy: Well, (5…) what happened?
Bob: (6…..) You’ve heard about the rail strike?
Cathy: Oh, yes, of course. (7…) But I had forgotten you were travelling by train. (8......) How did you manage?
Bob: Well, you see, (9….) we came by coach. It took a lot longer but we got back OK.
Cathy: So I see. (10…)You don’t sound as though you minded.
Bob: No. (11....)We didn’t mind at all. (12.....) It took a lot longer, but it was very comfortable – and it was much cheaper. In fact, (13......) we’ve decided to go by coach next time!

Audio: http://www.goear.com/listen/3d85f90/Intonation-in-Context-4.4-Barbara-Bradford




Dictations

Unit 1:

-Practise /d/ and / / (in class)
http://www.goear.com/listen/3160f0b/One-day...-

- Mouse Poem:
http://www.goear.com/listen/e5335d5/Mouse-Poem-

Unit 2:

- The Monkey and the Boar:
http://rs579.rapidshare.com/files/244601433/story_2.mp3


Unit 3:

* Fables:
-The Lion and the Three Bulls:
http://rs564.rapidshare.com/files/245021417/STORY_3.mp3
-The Raven and the Fox
http://rs354.rapidshare.com/files/245022614/STORY_3b.mp3
-The Lioness and the Vixen:
http://rs384.rapidshare.com/files/245022786/story_3c.mp3

* Dictation and Debate: (in class)
from Cutting Edge Advanced Teacher's Book



Dictation and Debate: Quotations (in class)

1) "A man is incomplete until he is married. Then he is finished." (Zsa Zsa Gabor, Hungarian actor)
2) " My wife and I were blissfully happy for twenty-five years. Then we met." Rodney Dangerfield, US comedian)
3) "A wife is a woman who sticks to her husband through all the troubles he wouldn't have had if he hadn't married her." (Antony Mason, author of A Bluffer's Guide to Women)
4) "The happiest marriage I can imagine is the union of a deaf man and a blind woman." S.T. Coleridge
5) "I never married because I have three pets at home that answer the same purpose as a husband. I have a dog that growls every morning, a parrot that swears all afternoon and a cat that comes home late at night."
Marie Corelli
6) "Women marry men hoping they'll change. Men marry women hoping they'll not."
Albert Einstein

Speaking: Internet Dating

Speaking: read the texts and discuss



Do you think Internet Dating is a good way to meet people?
What other options do we have?
Do you know anyone who has met their husband/wife online?

In groups: Think of 3 rules for Internet Dating.

Listen and discuss: http://www.goear.com/listen/f5bfac2/Internt-Dating-

Which are the risks of using the Internet today?

Game: read the newspaper adds and find your classmate's perfect match.
Adds taken from Village Voice 29/02/2009

Acronyms: SBM- LTR - ISO- SWM- SAF

LC and videos

Unit 1

Video: Internet Dating

http://rs487.rapidshare.com/files/224443878/internet_dating.avi


Unit 2
LC: Hobbies vs. Work
http://rs387.rapidshare.com/files/244460352/hobbies_versus_work.zip

12/06/2009

Mistakes Diagnosis LC Test

LC mistakes:
1) Lose =/= waste
2) demonstrative pronouns
3) hear=/= listen

Activity:
Situations to act out. The other Ss guess what the s
ituation is and how the people are listening. (adverbs)
1. Teacher reading out marks. Ss listen
ing anxiously.
2. A lecturer/a priest. People listening silently.
3. A friend with problems. Listening sympat
hetically
4. Your boyfriend's parents. Listening politely.
5. T telling a story. Children listening eagerly.
6. Answering machine giving options. Listenin
g patiently.

4) Indefinite pronouns

5) Stop + to / Stop + -ing (by Rocío Holgado and Ángela Zámolo)

Complete the blanks with the verb given.
1)Stop __________ (worry). Anxiety only makes problems worse.
2)Sonia stopped___________ (cook). She doesn’t cook anymore.
3)Tomás was singing aloud. He stopped __________ (listen) to the match.
4)Will you stop ___________ (talk)?
5)I stopped ___________ (go) to evening classes. I gave up school.

Some verbs, like stop , can be followed by either an –ing form or an infinitive form, but their meanings are very different.
Examples:
a- He stopped to buy some flowers. (he stopped for a purpose)
He stopped buying flowers. (he doesn’t buy flowers any more)
b- She stopped to buy ice-cream. (she stopped another activity in order to buy ice-cream)
She stopped buying ice-cream. (she doesn’t buy ice-cream any more)
c- I stopped to drink some coffee. (I stopped another activity in order to buy some coffee)
I stopped drinking coffee. (I don’t drink coffee any more)

More Theory:




6) Other, another, othe
rs

Speaking, Listening, Vocabulary

How to Teach Pronunciation:
- Chapter 1: The Description of Speech
-Chapter 3: Vowels
-Chapter 4: Consonants
http://rapidshare.com/files/118794901/YSHR_Pronun.7z
http://rapidshare.com/files/25349908/21700HtTPr.rar.html
Password: englishtips.org

How to Teach English:
-Chapter 9: How to Teach Speaking
-Chapter 10: How to Teach Listening
http://rapidshare.com/files/116930668/hte.rar.html
Password: englishtips.org


Using Word Games
www.nde.state.ne.us/read/2004-05_SIP_Workshop/VocabularyWordGames.pdf

Action Plan

Record your ACTION PLAN to improve your English

1)Areas where I feel confident / Areas where I need to improve

2)Areas in this subject I particularly want to study/ Other useful features

3)Questions to ask my teacher


4)Six targets for this year (3 in class- 3 outside class)

Phonetic Transcription

Why Phonetic Transcription is Important
John Wells, UCL (University College London)

This talk was given at Seoul National University, Korea, in 1996 and published in Malsori (Phonetics), the Journal of the Phonetic Society of Korea, No. 31-32:239-242, December 1996.

1. Introduction
In this talk I want to discuss the usefulness and importance of phonetic transcription for people studying languages. Since most of you here are phoneticians, you are presumably already convinced of this; I may be preaching to the converted. Nevertheless, there are many language teachers who appear to be far from converted, and I believe that certain arguments do need to be spelled out.
The principal reason for using phonetic transcription is easily stated. When we transcribe a word or an utterance, we give a direct specification of its pronunciation. If ordinary spelling reliably indicated actual pronunciation, phonetic transcription might be unnecessary; but often it does not.
This is obvious when we consider a language such as English, whose spelling is blatantly irregular; or a language such as Chinese, with a non-alphabetic orthography, whose written form generally does not give any direct information about pronunciation (and of course this applies also to Chinese characters used in writing Japanese or Korean). But even in languages with so-called phonetic orthography, such as Swahili, Finnish or Korean han’gŭl, there may be sporadic mismatches between the sound and the spelling of words, while there are almost always phonetic characteristics of continuous speech that are not reflected in the orthography.
For the language learner, a passive acquaintance with phonetic transcription enables him or her to extract precise and explicit information on pronunciation from a dictionary, bilingual or monolingual.
Without this information, a learner risks being misled either by an inadequately trained ear or by the dazzling effect of the ordinary spelling.
Nowadays learners of foreign languages ought to have ample opportunities of hearing the language spoken, and not just by their teacher and their fellow-pupils. Television, video tapes, cassettes and CDs give today’s learners an advantage which earlier generations did not have. However, mere exposure to authentic language material, while it will certainly improve a learner’s comprehension ability, is not sufficient to ensure a good productive command of the language or a good pronunciation. Almost everyone can benefit from explicit pronunciation teaching, in which the use of phonetic transcription has an important role.
In what follows I shall concentrate on the teaching and learning of English; but many of the points apply to other languages too.

2. The dictionary entry
A good dictionary gives information on a whole range of matters. As well as telling you what a word means (by translation or otherwise), it should at least give relevant information about its grammatical status and about its pronunciation.
There are various ways of giving information about pronunciation: respelling using orthographic conventions of the learner’s language, respelling using orthographic conventions of the target language, or phonetic notation. All of these can be regarded as types of phonetic transcription, though they may well vary considerably in quality.
The easiest transcription system for the beginner is arguably a respelling using the orthographic conventions of the first language: for example, showing English pronunciation in a Korean-English bilingual dictionary by transcribing English pronunciation into han’gŭl, in a Japanese-English bilingual dictionary by transcribing it into katakana, or in a Turkish-English bilingual dictionary by writing it in Latin letters with Turkish spelling conventions. In its crudest form, this has the major drawback of treating English as if its sound system were the same as that of the learner’s first language. At the very least the transcription system will need to be made more elaborate, and therefore more complicated, by devising ways of symbolizing those sounds of English that are not found in Korean, Japanese, or Turkish respectively. Obvious examples of such sounds are the two th-sounds of English, the voiceless and voiced dental fricatives heard in thin and this respectively; or the vowel sound of the word nurse (no matter whether we take British RP or GenAm as our pronunciation model for English).
Respelling systems using English orthographic conventions are found mainly in monolingual dictionaries aimed at native speakers. Such systems are still generally in use in the United States, though I am gratified to say that in Britain they have quite recently been displaced by transcriptions using the International Phonetic Alphabet. They have to contend with various awkward facts about traditional English spelling: for example, that there is no unambiguous way of spelling the diphthong sound /aʊ/ (as in mouth, now), because both ou and ow, the obvious candidates, correspond to a different diphthong in soul, own (not to mention still other possibilities for ou exemplified in the words group, thought, could, cough, double, tourist, journey). There is no unambiguous way of showing the diphthongs of price, goat in traditional English spelling; so respelling systems have to resort to special symbols involving the letters i and o with a macron diacritic (ī, ō). We can be proud that EFL dictionaries have led the way in employing IPA notation, which is unambiguous and systematic.

3. How is this word pronounced?
Every beginner needs to learn, for example, that the w in the English word write has to be ignored. This word is pronounced identically with the much less common word rite. We can show this by transcribing them: they are both transcribed phonetically as /raɪt/. Furthermore, there is yet another word pronounced in the same way: right. All three words are homophones.
Strangely enough, there are many native speakers of English to whom facts such as this are not self-evident. English people beginning the study of phonetics sometimes imagine that words such as write and wrong begin with a w-sound. Or they may believe that know ends with one (but not no). They are so dazzled by their knowledge of the spelling that they hold quite mistaken views about pronunciation. And there are learners of English as a foreign language who get equally misled by the spelling.
Learners of English have to contend with the ambiguity inherent in many spelling sequences. As you know, o plus consonant letter plus e usually corresponds to BrE /əʊ/, AmE /oʊ/, as in home, nose, vote. But sometimes, as in love, come the vowel is /ʌ/; and in move it is /uː/. Where the letter o denotes a short vowel, the sound is usually BrE /ɒ/, AmE /ɑː/, as in lot, top. But in many other cases it is /ʌ/, as in front, monkey. In the case of the combination or the sound is usually /ɔː/ (with or without a following r-sound depending on whether we are taking non-rhotic RP or rhotic GenAm as our model), as in north, short, core. But after the letter w we find a quite different vowel sound — BrE /ɜː/, AmE /ɝː/ — in work, word, world, and in BrE another one again, /ʌ/, in worry. In unstressed syllables the pronunciation is usually /ə, ɚ/), as in minor, tractor and also in information, Oxford (even though many EFL learners wrongly believe these words are pronounced with /ɔː/ in the second syllable).
There are various “reading rules” (spelling-to-sound rules) to help the learner pass from the written form of an English word to the spoken form. (A certain amount of information is available at each letter of the alphabet in my LPD, Wells 1990/2000; for a very thorough survey, see Carney 1994). But these rules are complicated and have many exceptions. In practice it is necessary to learn the pronunciation of many words individually.

4. Ambiguous spelling
Some English spellings are entirely ambiguous. If you see the spelling entrance, you will need the context to decide whether it denotes the way in, pronounced /ˈentrəns/, or the verb meaning to fill with wonder and delight, to /ɪnˈtrɑːns/. Other homographs (same spelling, different pronunciation and meaning) include bass, bow, buffet, does, gill, lead, live, minute, putting, read, resume, tear, tinged, wind, wound (Carney 1994: 397-399; Cruttenden 1994: 211-212). As soon as we transcribe them, we show the difference in pronunciation.
There are also some tricky verb-noun and verb-adjective pairs. English has nearly a hundred words of the type conduct, digest, incense, object, pervert, where the same spelling is used for a verb, with final stress, and for the related noun, with initial stress. Associated with the stress difference there is often a difference in vowel quality, because of the phenomenon of vowel reduction.
Tiresomely, there are many other English disyllabic verb-noun pairs where both are pronounced alike, with no difference of stress: thus control, promise.
An important group of verb-adjective or verb-noun pairs are those ending in -ate. The verb separate is pronounced /ˈsepəreɪt/, as in the two friends separated at the crossroads. Here, as you observe, the suffix has a strong vowel, the diphthong /eɪ/. But the corresponding adjective, spelt identically, is usually pronounced /ˈseprət/, as in we want separate bills, or (as an adverb) in they left separately. Here the suffix has a weak vowel, in RP traditionally /ɪ/ but nowadays more usually /ə/. One consequence is that the structural description for the process I call compression is now met, so that the basic three syllables readily get reduced to two.
Similar considerations apply to many other words in -ate, including advocate, appropriate, delegate, intimate, moderate, subordinate. Notice that the main word stress remains in the same place in these cases. The same applies to words in which -ment is attached to a bound form, including compliment, document, increment, ornament: thus I paid her a complim/ə/nt; I complim/e/nted her on her excellent work.
Relevant here is the whole question of strong and weak forms of function words (see e.g. Cruttenden 1994: 228-229). Words such as of, can, them have a strong form with a strong vowel, /ɒv, kæn, ðem/, used mainly when accented, and a weak form with a weak vowel, /əv, kən, ðəm/, used otherwise. This alternation is not shown in spelling, but anyone who fails to apply it in casual speech sounds very un-native-like.
Facts of this kind are not revealed in ordinary spelling, but are immediately evident once we use a phonetic transcription.

5. Transcribing from an orthographic text
Ideally, then, every learner should learn the correct pronunciation of a word at the same time as he incorporates it into his active vocabulary. Experience shows, however, that even advanced students often fail in this task. Fluent speakers of EFL may have an inaccurate impression of what the native-speaker pronunciation of a word is; the inevitable corollary is that their own oral production of it is flawed.
A useful exercise for more advanced learners is “doing transcription”, i.e. transcribing an orthographic text, a passage of ordinary English prose, into phonetic symbols (normally, into a phonemic version, perhaps including intonation). In our phonetics classes at University College London we regularly make both our native-speaker and our EFL students of phonetics do this kind of exercise.
For ordinary weekly coursework the student can consult a pronouncing dictionary whenever needed. Under examination conditions, however, the exercise is done unseen, and the student must rely on memory alone. It is both revealing and depressing to see how many errors of transcription are made even by some quite advanced students. I take the following examples from one of our best Spanish-speaking MA Phonetics students, who speaks English fluently and idiomatically, as well as having an excellent grasp of phonetic theory. These are some of her errors in the transcription of English words in a recent examination:
weather ˈweəðə instead of ˈweðə
releasing rɪˈliːzɪŋ instead of rɪˈliːsɪŋ
polluting pəˈlʊtɪŋ instead of pəˈluːtɪŋ
nuclear ˈnʊkljə instead of ˈnjuːkliə
chemicals ˈkemɪkəls instead of ˈkemɪkəlz
The first of these words, in the British Received Pronunciation we teach as standard, ought to be transcribed /ˈweðə/. The student’s use of /eə/ must be a false inference from the spelling. In fact, weather in RP is a homophone of whether. The only position in which orthographic ea sometimes corresponds to phonetic /eə/ is when followed by r, as in bear, swear.
The distinction between /s/ and /z/ is difficult for learners who do not have that phonemic contrast in their mother tongue. Unlike please, which does contain /z/, release has /s/. In pollute and nuclear, the spelling suggests only /uː/, not /ʊ/; perhaps the student was misled by familiarity with the spoken form of these words, in which however the relatively short duration of the vowel is caused by pre-fortis clipping (Wells: 1990: 136), not by inherent shortness.
Even advanced students sometimes forget the phonetic rules for regular plural and past tense formation in English. Although spelt with s, the plural ending is pronounced /z/ if the preceding segment is voiced and non-sibilant.
Clearly someone who thinks they are pronounced as transcribed above (wrongly) is not going to pronounce them correctly, and will have a noticeable foreign accent.

6. Types of transcription
For the last part of this talk I would like to consider phonetic transcription from a more general point of view. Beginners in phonetics often imagine that in transcription we can use one symbol for each “sound”, a separate phonetic symbol for each sound-type our ears or our machines can detect.
However this approach is not practical. What might appear to be “the same sound” in two different languages usually turns out, on closer inspection, to exhibit certain differences. Even within a given language, “the same sound” usually comprises a fair number of different variants associated with different positions in the word or different phonetic environments. This is what lies behind the development, over the course of the past hundred years, of the notion of the phoneme (or of more sophisticated phonological units). It also explains why all phonetic transcription depends for its interpretation upon two things: the transcribed text itself, but also the conventions for its interpretation (Abercrombie 1964: 16-24; Jones, 1956: App. A).
The phonemic principle allows us to use the same transcription symbol for all the variants of a given phoneme. We can write the same /t/ in English /tɒp, stɒp, lɒt, rɒtn, bɒtl/, despite the clear differences in aspiration and type of release. We can write the same /aʊ/ in now, louder, mouth, outing, despite differences in the duration of the diphthong. These differences, though real, are a matter of conditioned variation, determined by phonetic context. Every language has its own phoneme system and its own rules for allophonic variation.
The simplicity principle tells us to use the simplest phonetic symbol consistent with the avoidance of ambiguity. Although a few languages distinguish between dental and alveolar plosives, most do not. Although a few distinguish between aspirated and unaspirated plosives, most do not. This means that it is acceptable to use the same symbol /t/ for a range of sound-types in different languages: in English for what is typically an aspirated alveolar, in French for an unaspirated dental, in Swedish for an aspirated dental, and in Dutch for an unaspirated alveolar. The alternative is an explosion of complicated symbols and dictionary entries full of difficult diacritics.
Until we have determined the phonemic structure of a language, we can produce only an impressionistic transcription depending on our familiarity with general-phonetic sound-types. Once we have worked out the phonemics, we can use a systematic transcription, which will be simpler. This is what is appropriate for dictionaries and language textbooks. When considering connected speech, however, we need to take account of the features of connected speech, of the phrase-level and sentence-level phonology: we can produce a “phonotypical” transcription of how we expect a given sentence to sound, or alternatively an impressionistic transcription of what was actually uttered on a given occasion. Each has its uses.

References
Abercrombie, D., 1964. English Phonetic Texts. London: Faber and Faber.
Carney, Edward, 1994. A Survey of English Spelling. London and New York: Routledge.
Cruttenden, A. (ed.), 1994. Gimson’s Pronunciation of English. London: Edward Arnold.
Jones, D., 1956. Outline of English Phonetics, 8th edn. Cambridge: Heffer.
Wells, J.C., 1990, second edition 2000. Longman Pronunciation Dictionary. Harlow: Longman.

Author's home page
Placed on the web 2002 02 15. Minor corrections 2005 03 01, 2005 08 04.
http://www.phon.ucl.ac.uk/home/wells/whytranscription.htm

10/06/2009

Unit 1: Connected Speech

Connected speech
Submitted by Vanessa Steele on 17 January, 2005 – 13:00.

Teaching pronunciation used to involve little more than identifying and practicing the sounds of which a language is composed, that is to say, its phonemes. Recently however, there has been a shift of focus towards the other systems operating within phonology, which may be more important in terms of overall intelligibility.

What connected speech is
"English people speak so fast" is a complaint I often hear from my students, and often from those at an advanced level, where ignorance of the vocabulary used is not the reason for their lack of comprehension.
When students see a spoken sentence in its written form, they have no trouble comprehending. Why is this?

The reason, it seems, is that speech is a continuous stream of sounds, without clear-cut borderlines between each word. In spoken discourse, we adapt our pronunciation to our audience and articulate with maximal
economy of movement rather than maximal clarity. Thus, certain words are lost, and certain phonemes linked together as we attempt to get our message across.

How this affects native and non-native speakers
As native speakers, we have various devices for dealing with indistinct utterances caused by connected speech. We take account of the context, we assume we hear words with which we are familiar within that context.
In real life interaction, phonetically ambiguous pairs like " a new display" / " a nudist play", are rarely a problem as we are actively making predictions about which syntactic forms and lexical items are likely to occur in a given situation.

Non-native speakers, however, are rarely able to predict which lexical item may or may not appear in a particular situation. They tend to depend almost solely on the sounds which they hear. Learners whose instruction has focused heavily on accuracy suffer a "devastating diminution of phonetic information at the segmental level when they encounter normal speech." (Brown 1990.)

Aspects of connected speech
So what is it that we do when stringing words together that causes so many problems for students?
(One example is) Weak Forms: There are a large number of words in English which can have a "full" form and a "weak" form [...] The relevance of certain features of connected speech to students' needs is often debated. However, this is not the case with weak forms. Learners must come to not only recognize and cope with the weak forms they hear,but also to use them themselves when speaking English. If they do not their language will sound unnatural and over formalised, with too many stressed forms making it difficult for the listener to identify the points of focus. This, the degree to which connected speech contributes towards "naturalness" or "intelligibility", is a useful starting point from which to measure the value to students of the different features of connected speech. [...]
Conclusion
[...] Raising students awareness of these forms, whenever they arise, is the first step towards helping your learners to speak a little more naturally. Even if they do not assimilate these forms at first, "...in many cases, the simple awareness of their existence can help enormously in enabling students to better understand the language they hear." ( Gerald Kelly- "How to Teach Pronunciation.")



PRACTICE:

1) Sentences to analyze:
from Rhymes and Rhythm

a) She wants ten pounds.
b) A lamp post
c) I watched TV yesterday. / I watch TV every day.
d) I saw him half an hour ago.

e) Susan played tennis last Monday.
f) John and Patricia.

g) Could you lend me your book, please?
h) You can play the piano, can't you?
i) Is this yours?

j) He's your brother.
k) My dear Anna.

l) I saw it happen.

2) Cash-flow problems:

Audio: http://www.goear.com/listen/e128a93/Cash-flow-problems-Rhymes-and-Rhythm


3) Born and Bred in London:

Audio: http://www.goear.com/listen/9798408/Born-and-Bred-in-London-Rhymes-and-Rhythm

Palais:
French.a palace, esp. a French government or municipal building.
Random House Unabridged Dictionary, Copyright © 1997, by Random House, Inc., on Infoplease.